Introducing: My Hideout Love List

An average night at the Hideout

My last performance on the Hideout Theatre stage was February 29, 2020, an otherwise-typical Maestro where we gossiped in the green room about this “COVID” thing. My next last performance was a weird one—four months later, filming a political ad for a fictional audience in an empty, locked-down building. Then I moved to Amsterdam, but there were additional last performances too, on subsequent visits home. 

So you’ll understand that I hesitate before declaring that my October 8th Out of Bounds performance with USS Improvise, the improvised Star Trek musical1, really was my final one at the Hideout’s current location. I’d love to be wrong! But I think it was. The Hideout’s losing their building at the end of the year and raising money for a new venue and their next chapter. I support this effort, but I also believe buildings can have souls, and this one sure as hell does.

Me on a ghost tour, appropriately
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It’s a Love Story

Photo by Robin Straaijer

Back when it premiered in the middle of Lockdown Summer 2020, “Ted Lasso” felt like something more than a welcome distraction. Its unapologetic, earnest, insistent optimism seemed important somehow, like buying into its sunny view of the world was an act of resistance in dark times.

Now it’s five years later, that much farther down the dark path. And my wife’s unapologetic, earnest, insistent optimism delivered its own little act of resistance. “It’s a Love Story,” her improvised romantic comedy, was the second production by our friend Willem Van Den Brink (my own show, “As Seen on TV,” was the first). Like mine, “It’s a Love Story” was a full-length unscripted genre play, or “narrative longform” in improv lingo. Unlike mine, it was a big cuddly hug from first rehearsal to final bow.

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